" NUREMBERG 卐 OU LES FAUX MONNAYEURS | PDF " by Maurice ✞ BARDECHE ©
⚡ https://childrenofyhwh.com/multimedia/video/bibliotheque/bibliotheque/Bard%C3%83%C2%A8che/Nuemberg%20II%20ou%20les%20faux%20moneyeurs.pdf ( PDF - COPY & PASTE )
Chacun croit savoir ce qu’est le fascisme et ce qu’est un fasciste. Ces mots font partie des injures les plus usitées mais également les plus dévoyées : le fasciste serait cet être brutal, imbu de sa propre supériorité, prêt à tous les moyens de l’oppression – torture, délation, emprisonnement arbitraire – que nous décrit l’imaginaire collectif ; le fascisme serait le maintien, au besoin par la force et la coercition, de la domination du capital sur le travail, voire de l’homme blanc sur le reste du monde.
Quel détournement de sens ! par ceux-là mêmes qui ont réussi à imposer le capitalisme triomphant en vendant aux peuples la « société des loisirs » et la liberté des libertaires, tout en les enfermant dans le chômage de masse, la peur de la pauvreté, la violence sous tous ses aspects et la surveillance généralisée permise par les nouvelles technologies. Il est donc bien temps de se poser la question de ce qu’est le fascisme et de ce qu’il n’est pas.
Après une analyse du fascisme premier – le fascisme italien qualifié ici de césarisme mussolinien – et de son évolution, l’auteur va décrire, dans leurs similitudes mais également dans leurs différences, les autres régimes qui y sont assimilés : le national-socialisme allemand, le régime de Vichy et le franquisme espagnol, assumant leur nécessité historique et leur grandeur, mais aussi leurs erreurs. Et il questionnera, après la déroute de ces régimes, leur prolongation : qu’est-il resté de leur esprit, s’est-il incarné vraiment dans les groupuscules néo-fascistes qui ont survécu ?
Quelle influence a-t-il eue dans l’Égypte de Nasser, le Cuba de Castro ? Qu’est-ce qui fait l’essence même du fascisme, sa philosophie, sa vision de l’homme, de la nature et de leurs liens ? de la morale et de la liberté ? L’auteur tente ainsi de saisir le fondement de l’idéal fasciste, tentative d’un troisième ordre érigé contre les démocraties libérales et le communisme, et met en garde envers le faux fascisme, reconnaissable à ces signes : « Il emprisonne au nom des droits de la personne humaine et il prêche le progrès, mais il respecte les milliards et les banques sont avec lui. » !!
⚡ " REMEMBERING Maurice BARDECHE ( 1 October 1907 – 30 July 1998 ) " by Counter-Currents © ⚡
✔️ https://counter-currents.com/2021/10/remembering-maurice-bardeche-11/
Today is the birthday of Maurice Bardèche (1907–1998), the French Neo-Fascist writer. Bardèche was a prolific and highly versatile author of literary, film, art criticism, history, journalism, and social and political theory. He published twenty-odd books and countless essays, articles, and reviews.
Born in modest circumstances in provincial Dun-sur-Auron near the geographical center of France, Bardèche rose by sheer dint of genius to the heights of France’s meritocracy. He received a scholarship to the prestigious Lycée Louis-le-Grand in Paris where he met Thierry Maulnier and his future brother-in-law Robert Brasillach. In 1928, he entered the École Normale Supérieure, where he met such now-famous figures as Jacques Soustelle, Simone Weil, and Georges Pompidou. In 1932 he started teaching at the Sorbonne.
During the 1930s, Bardèche primarily collaborated with Brasillach and Maulnier, writing for their periodicals. In 1935 Bardèche and Brasillach published their influential Histoire du cinéma (Denoël et Steele, 1935; expanded edition, 1943). During the Spanish Civil War (1936–1939), Bardèche visisted Spain several times and co-authored a Histoire de la guerre d’Espagne (Plon, 1939) with Brasillach. In 1938, Bardèche began to write for the fascist paper Je suis partout.
In the 1940s, Bardèche became known for his work as a literary scholar. In 1940, he completed his thesis on Balzac. He later turned it into a biography, Balzac romancier: la formation de l’art du roman chez Balzac jusqu’à la publication du père Goriot (1820–1835) (Plon, 1943). Bardèche went on to published highly regarded studies of Stendhal (1947), Proust (1971), Flaubert (1974), Céline (1986), and Léon Bloy (1989).
You can buy The World in Flames: The Shorter Writings of Francis Parker Yockey here.
In 1942, after 10 years at the Sorbonne, Bardèche moved to the Université des Sciences et Technologies de Lille, where he taught until 1944. Always more sympathetic to fascism than National Socialism, Bardèche was not an open collaborationist during the German Occupation of France, although he moved in collaborationist circles. His brother-in-law Robert Brasillach was executed after the Liberation for collaboration. Bardèche was himself arrested for collaboration but was quickly released. His academic career was ended with a ban from teaching in the public educational system.
Bardèche was not silenced by persecution but radicalized. In 1947, he published Lettre à François Mauriac (La Pensée libre, 1947), defending collaborationism, attacking the excesses of the Resistance, and denouncing the purge of Vichy supporters and the execution of individuals like Brasillach. In 1948, he founded his own publishing imprint Les Sept Couleurs (The Seven Colours), named for a book by Brasillach. In 1948, he published Nuremberg ou la Terre promise (Nuremberg, or the Promised Land) (Les Sept Couleurs, 1948), a critique of the Nuremberg trials which landed him in court for defending war crimes. Sentenced to a year in prison, his sentence was commuted by President René Coty. In 1950, he published Nuremberg II ou les Faux-Monnayeurs (Nuremberg II or The Counterfeiters) (Les Sept Couleurs, 1950). In 1952, he founded his journal Défense de l’Occident (Defense of the West), which he published until 1982.
In 1951, Bardèche joined Sir Oswald Mosley, Karl-Heinz Priester, and Per Engdahl in founding the European Social Movement (MSE), the goal of which was to promote pan-European nationalism. Bardèche served as vice-president.
True to his heritage as a “Frank,” Bardèche never dodged labels like “Rightist” or “fascist.” Instead, he owned them and tried to give them substance. In the Introduction to his book Qu’est-ce que le fascisme? (What is Fascism?) (Les Sept Couleurs, 1961) he states forthrightly “I am a fascist writer.” Bardèche sought to bring fascism back to its socialist and syndicalist roots. He was particularly attracted to Mussolini’s late experiment, the Italian Social Republic.
Counter-Currents has published the following works by Bardèche :
* “The Fascist Dream,” Part 1, Part 2, Part 3 (in Czech here, here, and here)
* “From International Law to Global Oligarchy“
* “Maurice Bardèche on Francis Parker Yockey“
* “Nuremberg or The Promised Land“
* “The Rights of Man“
* “Six Postulates of Fascist Socialism”
* “The True Foundations of the Nuremberg Tribunal“
* “What is Fascism?”
We have also published the following related to Bardèche:
Margot Metroland, “Robert Brasillach & Notre avant-guerre“
Margot Metroland, “With Brasillach in Spain & Germany“