Airbrushed girl on car bonnet

No digital manipulation. 13 hours.

Tools:
Devilbiss airbrush.
Hand cut Frisket Film stencils.
Hand cut tracing paper stencils for some of the smaller, sharper detailed cast shadows.
Freehand local shadows.

The painting:
One-shot sign-writer's enamel and turpentine thinner.

Substrate:
Toyota Corolla bonnet sprayed with auto enamel, then baked, by Joe, a very dear friend and a brilliant auto spray painter from Liverpool, Sydney, Australia.

Technique:
I used the 'Boris Vallejo' technique, only with an airbrush rather than traditional bristled brushes. Basically, I sprayed a monochrome first, in a brown/grey skin tone shadow colour. I then sprayed the colours in high quality sign-writer's enamel thinned with turps to make the paint translucent. The idea was to emulate Vallejo, and also Rembrandt who often used 'glazes' to paint over his underpaintings.
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Airbrushed-Girl-on-Car-Bonnet

Uploaded 3 years ago

Airbrushed girl on car bonnet

No digital manipulation. 13 hours.

Tools:
Devilbiss airbrush.
Hand cut Frisket Film stencils.
Hand cut tracing paper stencils for some of the smaller, sharper detailed cast shadows.
Freehand local shadows.

The painting:
One-shot sign-writer's enamel and turpentine thinner.

Substrate:
Toyota Corolla bonnet sprayed with auto enamel, then baked, by Joe, a very dear friend and a brilliant auto spray painter from Liverpool, Sydney, Australia.

Technique:
I used the 'Boris Vallejo' technique, only with an airbrush rather than traditional bristled brushes. Basically, I sprayed a monochrome first, in a brown/grey skin tone shadow colour. I then sprayed the colours in high quality sign-writer's enamel thinned with turps to make the paint translucent. The idea was to emulate Vallejo, and also Rembrandt who often used 'glazes' to paint over his underpaintings.